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The famously traditional Island of Stone Money is sending top students to a high tech global robotics competition.

Students from 153 nations will gather in Washington DC this summer for the international high school robotics Olympics. Few will have traveled as far –geographically or culturally– as the Robo League team from Yap.

The FIRST Global Challenge is a worldwide robotics competition. Small student teams design, build, and compete complex robots from simple parts. The work demands hands-on mastery of Science, Technology, Engineering, and Mathematics (STEM) skills. Featuring teams from across the planet, it also serves as a forum for students to meet and partner with diverse international peers.

Students in Yap –a remote Micronesian Island most famous for its Stone Money– established their own Robotics League in 2011, holding Micronesia’s first public exhibition in summer of 2012.

Organized by US-based NGO “Habele,” the Yap Robo League remains the only coordinated multi-year robotics program in the Central or Western Pacific. It has grown and thrived through a defining partnership with a robotics team at Chaminade College Preparatory School, in Los Angeles, California. In-kind gifts of time and talent, as well as private donations and local fundraisers entirely finance the league.



The all-star team headed to the FIRST Global Challenge is comprised of three high school seniors from Yap Catholic High School, winners of the 2016 Habele Robo League Championship.  They will spend nearly a week in the US Capital, participating in a lavish international opening ceremony, a series of robotics exhibitions, competitions, and eliminations, as well as tours and team building exercises with students from around the world.

“Since 2011, hardworking students, educators, and community members have grown and sustained one the Pacific’s most exceptional –and most popular– educational programs,” observed Alex Sidles, a Habele Director. “Invitation to the Global Challenge is just the latest testimony to the accomplishments and ambitions of the Yap Robo League, and its innovative focus on competition, incentives, and accountability.”

The many tiny islands of Micronesia are home to a semi cash economy, primarily comprised of subsistence agriculture and fishing. Their remoteness and relative lack of resources limits formal economic growth and opportunities. However, they place great emphasis on preserving cultural practices while learning modern technology.

Widely studied in the West, Yapese stone money, or "Rai," are an example. The large, circular stone disks have been used for centuries as currency. The system relies on oral histories of ownership because the carved stones are too large to move.

One project to sustain traditional practices is “Waa’gey,” an after school cultural skills program. Many Yap Robo League students participate, receiving instruction on-campus and after-school from Waa’gey mentors in centuries old Carolinian carving and sailing techniques.

“There are many connections between the techniques of canoe building and celestial navigation and the skills students develop with these robots,” explained Master Navigator Larry Raigetal. “The outside world’s increasing focus on so-called STEM instruction is, for us, something of a return to the way we’ve always understand knowledge and building. I hope our young people take that insight with them to Washington.”

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March 29, 2017 No comments

UOG President Dr. Underwood stands with the traditional navigators from the Lamotrek, Yap State, Micronesia at a ceremony celebrating their voyage (link).

For centuries, the people of the central Caroline Islands have relied heavily on their voyaging canoes as their primary means of transport. They made voyages to islands near and afar to obtain necessities including food, tools, and other valuables. In some instances, following devastating natural calamities, their canoes are used to relocate to a different island as was the case for the “Carolinians” now residing in the Commonwealth of the Northern Marianas (CNMI). 

Today, the art of canoe building and traditional celestial navigations, continues in these remote islands of the Federated States of Micronesia. Although at a smaller scale than what it used to be, the important knowledge of their ancestors is being passed on to younger generations. Waa’gey is a community-based organization that is working with their island communities to promote traditional skills and knowledge transfer.

Realizing the challenges brought to the shores of Micronesia by globalization and environmental issues—including climate change and rising sea levels—the people of Lamotrek Atoll in Yap State worked with Waa’gey’s Larry Reigetal and his crew to refurbish an outrigger canoe named The Lucky Star. Using only traditional seafaring methods and no modern navigation technology, the eight-man crew (Paul Haleyalpiy, Johnny Ratigulur, Noel Ukun, Iseah Yarofyan, Jackson Mailuw, Delson Twerital, Wilson Filmwai, and documentary film producer Douglas Varchol) led by Larry Reigetal braved storms and powerful ocean currents to travel over 500 miles to Guam over five days to participate and showcase their Micronesian culture in the Festival of Pacific Arts held in May 2016. After the festival, the crew sailed over 500 miles back to Lamotrek over a period of 10 days.

The crew brought along a traditional pandanus sail woven by the people of Lamotrek to use during Guam FestPac 2016, and to display the skills used to create it. The entire process of weaving the sail took more than six months, with over 30 people contributing to its construction.


Lucky Star's arrival on Guam

Due to modern seafaring technologies, the traditional weaving techniques in Lamotrek had not been in practice for over half a century.  However, through this project, Waa’gey was able to enlist the help of 95-year old Maria Labusheilam, the last master weaver in Lamotrek. She taught the skills to 20 women apprentices, led by her daughter Maria Ilourutog. The men of Lamotrek, led by Xavier Yarofaliyango, cut the pandanus leaves, and stretched and stitched the sail together. Labusheilam died two weeks after passing on the knowledge; she did not see the final outcome of her work. The sail is woven from the pandanus (or screw-pine) tree commonly grown on beaches of almost all tropical islands. 

The leaves are harvested, dried under the sun, and stripped into single fibers. They are then woven into longer strips of sheets, which are then strengthened by stretching and wrapping the sheets around coconut palm trees. The sheets are then sewn together with sennit twine ropes made from coconut fibers. The weaving of sails is not the same as weaving sleeping mats, as they need to be doubled and overlapped to ensure strength and durability.

Early post World War II canoe sail, outer islands of Yap, Micronesia.

The sail was previously displayed at the University of Guam and the Honolulu Museum of Art, and will be the main art display at the UN Headquarters during The Ocean Conference from June 5 – 9. 2017. It will then travel to Europe, Asia, and Australia before it makes its final voyage to the Federated States of Micronesia capital—Palikir—in time to sail the 2018 Micronesian Games torch to Yap next summer. It has been autographed by all the people from Lamotrek and the President of the FSM, His Excellency Peter Christian.


German anthropological drawing of Carolinian Sailing Canoes, circa 1890

In the center of the sail is the phrase “Falemwaiul Lamoireg?”, which means “Survival of Lamoireg’s Glory”. It highlights the community’s own struggle to combat the negative impacts of modernization—including environmental issues such as climate change and rising of sea levels. It is the hope of the Lamotrek people that this sail travels around the world to show their cultural heritage of the past—canoe building and voyaging—are not only applicable to our societies, but are indeed conducive to the environment in which we live.

Habele, a US-based nonprofit, is a proud partner of Waa'gey, providing targeted grants and equipping master and apprentice carvers with world class, culturally appropriate, tools.

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March 23, 2017 No comments
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